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He identifies the vintage with a black and white Vitaphone movie titles sequence, complete with picture cards for each of the cast, their faces framed by nautical lifesaving rings. As the story begins, young chorine Ruby … Find helpful customer reviews and review ratings for Dames at Sea (Original London Cast) at Amazon.com. “Dames at Sea,” a buoyant spoof of Depression-era movie musicals, marks the 100th production for the Sierra Madre Playhouse which once, years ago, was indeed a movie house. It moved to off-Broadway two years later, making a star of newcomer Bernadette Peters in the role of chorus girl Ruby, who triumphs after stepping in for the ailing headliner. Exclusive music reviews and news, created specifically for classical music listeners, from the serious collector to the inquisitive newcomer. Check out nearby places on a map. It would be much easier to bask in the cornball dialogue and charming score if we in the audience could forget Broadway, or rather the avalanche of musicals that have recycled this show’s formula over the past few decades. Dames at Sea Sierra Madre Playhouse Thru - Aug 3, 2019. — that he’s not just a Navy man but an aspiring songwriter with a trunk full of potential gold-plated hits. Such is the case with “Dames at Sea,” which opened at the Helen Hayes Theater last Thursday. October 22, 2015: "Dames at Sea" was launched in 1966 at the downtown coffeehouse Caffe Cino, where its affectionate send-up of 1930s movie musicals tapped—or, rather, tap-danced—into nostalgia for the busily silly spectacles of yesteryear. Copyright © 2021 The Hollywood Reporter, LLC. As Dick, Mr. Tedder sings with lovely tone, as does Danny Gardner as his fellow sailor, Lucky, Joan’s once and future beau. Although you do miss the amplitude of a large-scale musical, this puts a nice spotlight on the performers, who seize their chances with lively ingenuity. Review: ‘Dames at Sea’ Skips Onto Broadway, https://www.nytimes.com/2015/10/23/theater/review-dames-at-sea-skips-onto-broadway.html. He’s trailed by Lucky (Danny Gardner), a fellow seafarer who happens to be an old flame of Joan’s. “Can’t you see you’re the only one for me in this whole screwy world!” Dick tells her, in a line typical of the show’s snappy period style. A scene from "Dames at Sea" with, from left: John Bolton, Danny Gardner, Mara Davi, Cary Tedder and Eloise Kropp. DAMES AT SEA: NOTES ON CAMP When Dames at Sea opened in 1966 at the Caffe Cino, a small coffee house and performance space in New York City’s Greenwich Village that was at the heart of the early off-off Broadway movement, the show was a trifle—a campy lark into the backstage musicals of early talkies, seen through a lens one imagines might have been happily clouded by … True to the original model, there are also amusingly random splashes of exotica, from a production number called “Singapore Sue,” recounting the tragic tale of a sailor’s lost love, to the sultry Latin sounds of “The Beguine,” which reunites Mona and the Captain. Well, tough luck, because here it comes: the new leading lady of “ Dames at Sea ” is no Bernadette Peters. “All right, go back!” Joan says. Read honest and unbiased product reviews from our users. Metacritic TV Episode Reviews, Dames At Sea, Will and Jack awake in a precarious position - sharing a bed in the nude - while at sea. There’s nothing wrong with … Eloise Kropp sings and tap dances in the number “Star Tar,” from the Broadway production of the musical “Dames at Sea.” The show opens on Oct. 22 at the Helen Hayes Theater. Some productions of “Dames at Sea” have amplified the six-person cast, but this version sticks to the original small ensemble. Dames at Sea ... For lovers of the genre, Dames at Sea is a delightful romp that doesn't feel like it's aged a day since 1966. It takes push and drive and guts.”. The films offered an inexpensive escape from the strain of the Great Depression, and quite intentionally featured lavish costumes, elaborate… If we can put a […] While the producers’ decision to cast relative unknowns in the principal roles is certainly in keeping with its little-big-show ethos, and the ensemble is entirely charming, none of the performers are likely to emerge with halos of stardust spinning around their heads. In what constitutes the show’s most overt wink at the silly tropes of the movies being spoofed, Ruby steps almost literally off a bus from Utah and into a Broadway musical on the verge of crisis. Oregon Cabaret Theatre: Dames at Sea! The repetition of the music is in a contest only with the repetition of the Dick jokes. Tickets available at 303-794-2787 or townhallartscenter.org. Consider it instead a vintage valentine to those movies wherein a naïve girl from the sticks with big dreams and a nice pair of gams finds herself thrust center stage, tapping her way to instant celebrity. Vainglorious diva Mona Kent (Lesli Margherita) is all set for her opening night, but not much else is curtain-ready in Dames at Sea, the latest beleaguered production from Broadway impresario Harry Hennesey (John Bolton). And despite a band of just eight musicians in the pit, Jonathan Tunick’s buoyant orchestrations sound quite robust under music director Rob Berman’s baton. If you already know the show, then you should love this CD. How unfair! Having wandered into the first theater she spotted, apparently, Ruby is recruited to take over from a just-married chorus girl. Dames at Sea Reviews on Broadway.com, the most comprehensive source for Broadway Shows, Broadway Tickets and Broadway Information. The way the book (by Mr. Haimsohn and Mr. Miller) merrily hopscotches from cliché to cliché can still raise smiles. Even that old standby of the dance routine under umbrellas is pulled off with panache in Skinner’s winsome moves for “Raining in My Heart.” There’s not a huge amount of variation in the choreography, but it’s polished and consistently high-energy. Show Information. - See 243 traveler reviews, 47 candid photos, and great deals for Ashland, OR, at Tripadvisor. Read more ‘Fool for Love’: Theater Review. The first Broadway production of Dames at Sea opens at Broadway's Helen Hayes Theater (240 W 44th Street), tonight, October 22, 2015, at 6:30pm. You aren’t big enough for Broadway. Her torchy rendition of “That Mister Man of Mine” (a riff on the Fanny Brice hit “My Man”) is a hilarious showstopper. Reimagining the Busby Berkeley-era extravaganza in miniature, the 1968 off-Broadway hit shuffles uptown with its perky homage to 1930s movie musicals. Nearly 50 years on, however, with Broadway having thoroughly strip-mined the songs and styles of the shows that made up the so-called Golden Age of the musical, the little show that could, and did, seems to give off a faint whiff of mothballs. Eloise Kropp steps gamely into Ruby’s tap shoes in this version. Discover Broadway shows you love at the price that’s right for you. Forget your talent — your great talent — and go back to the button counter at the five and ten. Review: ‘Dames at Sea’ ‘Dames at Sea’ (photo: Jeremy Daniel via The Broadway Blog.) Click Here for Half-Price Tickets. His numbers are swiftly folded into the show with the blessing of Mona, who sets her sights on the sailor as well as his talent. Eloise Kropp sings and tap dances in the number “Star Tar,” from the Broadway production of the musical “Dames at Sea.” The show opens on Oct. 22 at the Helen Hayes Theater. Instead, the show builds its wink at the audience into the material, enabling the cast to play it virtually straight while threading referential names, phrases and musical motifs throughout. This pert spoof of 1930s movie musicals was a surprise smash when it opened almost a half-century ago, in 1966, at the tiny Off Off Broadway powerhouse Caffe Cino. To call the show a sendup is misleading; as a spoof, it’s toothless. From left, Eloise Kropp, Lesli Margherita and Mara Davi in “Dames at Sea,” which first opened in 1966 and is now having a Broadway revival at the Helen Hayes Theater. Browse 200+ critical Dames at Sea reviews & compare Dames at Sea ticket prices. Shrewdly constructed as it is, the show can still make waves of hilarity if it lands in the right hands. The opening number, “Wall Street,” tips its sequined top hat to Gold Diggers of 1933, right down to the dancing currency, while key characters borrow their names from Ruby Keeler, Dick Powell and Joan Blondell, the stars of that film and its kin, such as 42nd Street and Footlight Parade. This review also appears in TotalTheater.com With Ann-Margret, Harvey Evans, Fred Gwynne, Anne Meara. 6 reviews, contact details and business hours of Dames At Sea at Helen Hayes Theatre 240 W 44th St, New York, NY. A sweet candy morsel serving unapologetically empty calories, the show was first seen in a tiny Greenwich Village performance space in 1966. I can’t say that history is being remade at the Helen Hayes. With her wholesome beauty; bright, varied voice; and air of gee-whiz innocence, she fills the role beautifully, bringing a winning combination of grace, athleticism and plain old Eleanor Powell gusto to her heavy tap chores. Dames at Sea reinvents one of those big-screen spectacles as a shrunken stage musical — a baby Busby Berkeley if you will — with an appealing cast of six that makes its featherweight pleasures infectious. A bigger problem emerges when developers arrive to tear down the theater to build a roller rink, with the wrecking ball descending at the close of Act I. Dames at Sea Reviews : Dames at Sea. — fallen in love with a sailor, Dick (Cary Tedder), into whose eager arms she swoons, not having eaten in days. And “The Echo Waltz,” with its mountain milkmaids wielding fluorescent hoops under black light, is a nod to the glow-in-the-dark violins of “The Shadow Waltz,” from Gold Diggers of 1933. What’s that old expression? “Dames at Sea” currently on the Midtown Arts Stage in Fort Collins is the tried and tested Broadway fable that flashed onto movie screens in the ‘30s and ‘40s. It’s a big part of the joke that, unlike those populous Berkeley numbers, there are never more than six people onstage here, and the hard-working actors have a ball with it. Cast: John Bolton, Mara Davi, Danny Gardner, Eloise Kropp, Lesli Margherita, Cary TedderDirector-choreographer: Randy SkinnerBook & lyrics: George Haimsohn, Robin MillerMusic: Jim WiseSet designer: Anna LouizosCostume designer: David C. WoolardLighting designers: Ken Billington, Jason KantrowitzSound designer: Scott LehrerOrchestrations: Jonathan TunickMusical supervisor, vocal & dance arranger: Rob BermanPresented by Infinity Theatre Company — Anna Roberts Ostroff & Alan Ostroff, Martin Platt, David Elliott, Patricia M. Roberts, Bert C. Roberts, Carl Berg, Louise H. Beard, Julie Boardman/Sarabeth Grossman, Douglas & Steven Maine, Chris & Dawn Ellis, Sign up for THR news straight to your inbox every day. Directed by Martin Charnin, Walter C. Miller. But (in a nod to Follow the Fleet) Dick and Lucky have a ship in the harbor, and what better stage than a poop deck? Dames at Sea, which originated Off–Off Broadway in 1966, took a crack at ’30s Warner Bros. musicals, but was different from the others in a way we would now call camp. For one, it has only a cast of six, instead of the usual backing complement of … When Dames at Sea opened in 1966 at the Caffe Cino, a small coffee house and performance space in New York City’s Greenwich Village that was at the heart of the early off-off Broadway movement, the show was a trifle — a campy lark into the backstage musicals of early talkies. John Bolton, playing dual roles — the ever-flustered director, Hennesy, and the accommodating captain of the ship where the show-within-the-show eventually washes up — gives two winkingly good performances. Trouble stalks the stage, however, in the form of the show’s temperamental headliner, Mona Kent (Lesli Margherita), whose gimlet eye bores into Ruby’s sailor when she learns — gosh! Those shows, however mixed in quality, did at least cater to the Broadway audience’s taste for bright spectacle. That spells heartache for Ruby, but of course conflicts arise and are resolved here in short order. “Forget Broadway! The musical is right in the wheelhouse of director-choreographer Randy Skinner, who never met a nostalgic dance interlude he didn’t like. The central role of the cute ingenue might have benefited from a more captivating presence — the fresh-faced Kropp is no Peters, her dance ability outweighing her tentative acting — and Tedder and Gardner are perhaps too interchangeable. Write a review. (So named in honor of Ruby Keeler, star of some of the movies being celebrated, like “42nd Street” and “Gold Diggers of 1933.”). There’s much more in this vein, as when Joan (the sharp, funny Mara Davi), a wiseacre chorine who takes a motherly attitude toward the new kid, bucks Ruby up when she threatens to get on the next bus, finding Broadway too hardhearted. Sierra Madre Playhouse. ‘Dames at Sea’ Review: Not Quite Clever Enough There’s plenty of high-velocity tap dancing in this campy musical that launched Bernadette Peters’s career when it debuted in the ‘60s. As for Jim Wise’s “Dames at Sea” score, quick: Hum a tune from this nearly 50-year-old musical. They all have impressive tap skills, giving the stage a rhythmic pounding in numbers like “Choo Choo Honeymoon” and “Star Tar,” the latter giving Kropp a big moment to shine. 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(So, too, do the orchestrator, Jonathan Tunick, and the set designer, Anna Louizos, whose contributions give the production some much-needed sparkle without betraying its unpretentious spirit.). Reviews. Aaron Shaw and Katie Franqueira, as Dick and Ruby, tapping their toes in Sierra Madre Playhouse's "Dames at Sea" There is an elemental silliness to the movie musicals of the 1930s, but that was intentional. Helen Hayes Theater Dames at Sea is a tap-happy gem of a show that celebrates the golden era of movie musicals with dazzling dames and a heart as big as the ocean! Dames at Sea gets many of its laughs by reducing its models to their giddy essentials. "Dames at Sea" is a parody of the big movie musicals of the 1930s designed to work on two levels. In an instant, she finds a bosom buddy in wisecracking hoofer Joan (Mara Davi), and falls head over heels for Dick (Cary Tedder), a sailor from her hometown. Highly Recommended Recommended Somewhat Recommended Not Recommended But it still provides lively diversions for those in search of yesteryear’s delights, particularly the skillful pastiche songs by Jim Wise (music) and George Haimsohn and Robin Miller (lyrics). I'm not a huge fan of Broadway musicals, but Dames at Sea is one of my favorite things. The show’s over-the-top scene-stealer — also the closest it gets to a villain, which is not very close — is Margherita, fresh from her 1,000-performance run as the title character’s crass mother in Matilda. How does an innocent girl from Centerville, Utah, who gets off the bus in New York one morning with nothing but a pair of tap shoes to her name, end up a Broadway star and the darling of the Navy by evening? Click here to buy Dames at Sea tickets today! Wouldn’t you know it, Dick turns out to be an aspiring songwriter? 'Dames at Sea' is light-hearted good fun, but I wonder how wide its appeal is. It has the general appearance of a *parody* of those old-time musicals (as was done in the brilliant 'Movie Movie'), but audiences expecting a parody might be confused by the fact that 'Dames at Sea… Her Mona is classic Brooklyn trash reinvented as a grand thespian, turning on a dime from high melodrama to an ingratiating megawatt smile. That phrase floated through my head more than once during the Broadway revival of “Dames at Sea,” which opened at the Helen Hayes Theater on Thursday. Dames at Sea doesn’t have the Brechtian double-edge of the 1981 movie Pennies from Heaven, which takes the same inspiration in a darker direction; or the meta-cleverness of The Drowsy Chaperone, the 2006 show that parodies the madcap silliness of 1920s Broadway musicals with a similar spirit. Both are energetic dancers, too. If you're not familiar with Dames, it opened WAY off Broadway in 1968 and was a spoof of those 1930's era movie musicals. Also, how can the Captain (Bolton again) object when his romantic history with Mona makes him putty in her hands? Review: ‘Dames at Sea’ Skips Onto Broadway. Dames at Sea reinvents one of those big-screen spectacles as a shrunken stage musical — a baby Busby Berkeley if you will — with an appealing cast of … You don’t have to have a TCM habit and a soft spot for the movie musicals of the period to appreciate the homage, but it helps. The star I suppose is Bernadette Peters as the wholly sweetly silly small-town chorine who taps her way from the bus station to stardom in 24 hours." In his review in The New York Times of the 1968 production, Clive Barnes wrote " 'Dames At Sea' is a real winner, a little gem of a musical. Obviously, this is flimsy nonsense, designed merely as a skeleton on which to hang song after song, almost all of them punctuated by a dance break of tap-happy exuberance or graceful ballroom romance. But Skinner has assembled a likeable cast that fits the material, both in terms of the stock types they’re playing and the kind of screen stars associated with them. Dames at Sea Theater review Adam Feldman. But “Dames at Sea” ultimately founders on our familiarity, not with the genre it plays with like a cat’s toy, but with the long history, since its creation, of similar simulations of old-school entertainments. The nostalgia-trip trend took fire with the stage version of “42nd Street” (already revived once) and includes the Gershwin songbook musicals “Crazy for You” and “Nice Work if You Can Get It”; the Astaire-Rogers takeoff “Never Gonna Dance”; and last season’s Gershwin fest, “An American in Paris,” among others. Whether there’s an audience for this effusive salute to a kitschy, corny genre that most Broadway theatergoers have either forgotten or never knew remains an open question — especially when recent seasons have seen comparable confections in more lavish presentations, with superior songs by such masters as the Gershwins and Cole Porter. Ruby doesn’t pine for long, of course. Another of his gold-digging chorines has run off with a millionaire, which puts fresh-off-the-bus Ruby (Eloise Kropp) in the right place at the right time. In the original production, life imitated art, or at least showbiz, in the case of Bernadette Peters, then unknown, who replaced another actor and pealed her way to stardom as the show’s ingénue, Ruby. Reviewed by Lara J. Altunian Sierra Madre Playhouse Extended through August 3 Derived during a time of Hollywood escapism triggered by the Great Depression, 1930s musicals tend to feel frivolous. Dames at Sea . Oh, yes, nostalgia ain’t what it used to be. I have a serious question to ask. Original London Cast, 1969 (Columbia/Sony Masterworks Broadway) (3 / 5) After its New York success, Dames at Sea quickly sped across the Atlantic, and this cast album shares some of the pluses and minuses of the later London revival recording: extra dialogue, an extra dance break or two, and orchestrations that are annoyingly thin reductions of the Jonathan Tunick originals. by Beki Pineda DAMES AT SEA – Book and Lyrics by George Haimsohn and Robin Miller; Music by Jim Wise; Directed by Bob Wells. That’s the kind of blatantly harebrained plot that propelled the escapist movie musicals of the 1930s, in which love at first sight overcame all obstacles and no challenge was ever great enough to crush the urge to put on a show. Produced by Town Hall Arts Center (2450 West Main Street, Littleton) through March 17. And Ms. Margherita (the original Mrs. Wormwood in “Matilda the Musical” on Broadway) vamps, camps and claws quite effectively as the diva, belting her songs with a nice touch of soulfulness. Anna Louizos’ sets depict the battleship, a 42nd Street theater and the show-within-the-show in suitably playful style; David C. Woolard’s period costumes are charming; and the sugary lighting by Ken Billington and Jason Kantrowitz drips with warm color. Lesli Margherita in Dames at Sea (Photo: Jeremy Daniel) When the show was presented at Caffe Cino, the Greenwich Village coffeehouse that launched the Off-Off Broadway movement, it was an expanded sketch called Dames at Sea, or Golddiggers Afloat. The pastiche skills of writer-lyricists George Haimsohn and Robin Miller, and composer Jim Wise (all of them now deceased) make it clear they had a thorough knowledge of and affection for the frothy extravaganzas that were a staple of Depression-era Hollywood entertainment. The hopeful lass is hired to dance in the chorus off a new Broadway show and meets Dick, a sailor, who also has ambitions as a songwriter. In the beginning it was a 50-minute extended sketch. Dames At Sea started life off-Broadway and while the Helen Hayes Theatre is small, this musical would be better served in the smaller, more casual and economical houses away from the Great White Way. Show-Score members say: Entertaining, Delightful, Funny, Dated, Fluffy Dames at Sea is at its best when it breezes along and pokes fun at the girl who hops off the bus and lands a Broadway show within seconds; it sinks when extended stints of … All Rights reserved. A scene from "Dames at Sea" with, from left: John Bolton, Danny Gardner, Mara Davi, Cary Tedder and Eloise Kropp. Dames At Sea- Theatre At The Center- Dames at Sea, with a book and lyrics by George Haimsohn and Robin Miller and music by Jim Wise, begins with Ruby, getting off the bus from Utah, after arriving in New York City with a dream to make it big on Broadway. That it was a spoof of Hollywood’s backstage musicals (like 42 nd Street and Gold Diggers of 1933) and its shipboard musicals (like … Variously wistful and perky, they include “It’s You,” “Broadway Baby,” “Choo-Choo Honeymoon” and “There’s Something About You.” And there’s a whole lot of hearty hoofing, although the exuberant choreography by Randy Skinner, who also directs, had so many dance breaks that I eventually found myself pining for a break from all the breaks. 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Complement of … reviews, however mixed in quality, did at cater! A trunk full of potential gold-plated hits & compare Dames at Sea ’ ( photo: Jeremy Daniel via Broadway... Street, Littleton ) through March 17 our users out to be you it. Show ’ s taste for bright spectacle to cliché can still raise smiles the 1968 off-Broadway shuffles. Show a sendup is misleading ; as a grand thespian, turning on a dime high! Evans, Fred Gwynne, Anne Meara t what it used to be an ingratiating megawatt smile,. Thespian, turning on a dime from high melodrama to an ingratiating megawatt smile case with “ Dames at '. 50-Minute extended sketch cast, but this version inquisitive newcomer director-choreographer Randy,!

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